Okinawa

Travel

Learn and experience the island culture at Hoshinoya Taketomi Island

2021.08.04

In the past, on Taketomi Island, most of the tools needed for daily life were made by each household. Making folk implements is called “handicraft” on the island.
The activity “Handicraft Learning House”, which uses island plants to knit folk implements and straps in one night and two days, will be held from September 1st to November 30th, 2021.
(Wednesday / Saturday check-in only)

Making a strap for "Amulet Broom"

The “Handicraft Learning Center” was held last year as well. Newly added this year is the making of straps for dark baskets with the motif of “amulet broom”. On Taketomi Island, it has long been customary to use a bamboo broom to sweep the white sand of the coral laid in the village with the meaning of sweeping the road and purifying the demons.
A palm-sized broom is made using the black fiber of the trunk “Fugara” of Kominokurotsugu * 1.

*1 A plant of the palm family. It is called “Mani” on Taketomi Island.

Handicraft experience of a dark basket

While being taught by a master in the guest room, we will spend two days making a traditional folk implement, a basket. The dark basket is a basket bag that was once used when shopping on the market. “Octopus trees” processed to be suitable as materials are combined one by one and woven by hand.

Tour the skilled work of using plants as handicraft materials

Observe the skillful work of the masters of cracking and drying until the plants are harvested and used as handicraft materials. Using native plants as a material requires time-consuming preparation. The masters will prepare according to the characteristics of each plant, the climate at that time, and the rhythm of nature. We deeply understand that things are made from plants and feel the blessings of nature close to us.

Folk tools that allow you to experience the natural comfort of nature

Stay in guest rooms equipped with folk implements to experience the life of the island. We will prepare goza, shell ginger pillow, sandals, waste basket, broom, kuba hat, and coaster. During your stay, you can wear a kuba hat instead of a hat when you take a walk, or lay a goza in the garden and lie down to look at the stars. From the folk implements that have been popular for a long time, you can feel the faint scent of plants and the gentle touch of nature.

“Handicraft learning building”

Period: September 1st-November 30th, 2021 (Wednesday / Saturday check-in only)
Price: 1 set 48,400 yen (tax and service charge included, accommodation charge not included)
Included: Making a dark basket, making a strap for “amulet broom”, work tour, rental of guest room folk equipment (goza, moon peach pillow, sandals, waste basket, broom, kubakasa, coaster)
Capacity: 1 pair (1-2 people)
Remarks: The work that can be observed depends on the natural environment.
The schedule is subject to change due to island festivals and events.

>Click here for reservation

Koji no Kai

A group of four people, including Shochiku Shosuke, who are masters of handicrafts, Mitsuko Oyama, Hiroko Takana, and Aiko Tanaka, have handed down the traditional folklore making. He enthusiastically continued the handicrafts that had declined due to the modernization of the island, and the culture of folk implements that has been handed down on Taketomi Island is still preserved.

Currently, he holds a weekly classroom at the Yugafukan on Taketomi Island, which is a visitor center in Iriomote Ishigaki National Park, and teaches handicrafts to people who want to learn techniques.

<Highest level corona countermeasure declaration>

>[Hoshino Resort] Corona measures summary

Hoshinoya Taketomi Island
Hoshinoya Taketomi Island, a village of Ryukyu red tiles located in the east of Taketomi Island. On the site of about 20,000 tsubo, it was built according to the “Taketomi Island Landscape Formation Manual” like the houses on the island. It is a small settlement with detached rooms built with respect for tradition, white sand alleys, swimming pools, and gazebos.

>Hoshinoya Taketomi Island

New

New

Featured articles

Kumamoto

JP info

[Minamioguni Town, Aso District]Information on new facilities and refurbished establishments around Kurokawa Onsen

Discover newly opened facilities and refurbished establishments in and around Kurokawa Onsen (Minamioguni Town, Kumamoto Prefecture). Each spot lies within a 5-10 minute drive from Kurokawa Onsen town, making them easy to visit between hot spring hopping. From new ventures by long-established inns to cafés nestled in lush satoyama landscapes and restaurants dedicated to local ingredients, these spots brim with diverse appeal. Explore them as fresh ways to enjoy Kurokawa Onsen.

Tochigi

JP info

Avoid the traffic and enjoy the autumn colours of Oku-Nikko at dawn: “SPACIA X NIKKO CRUISER’s Early Morning Autumn Foliage Tour” now on sale

From October 2025, we shall commence operations of the high-grade chartered coach ‘SPACIA X NIKKO CRUISER’ as a new secondary transport service within the Nikko area. To commemorate the launch, Tobu Top Tours Co., Ltd. has planned the ‘SPACIA X NIKKO CRUISER Early Morning Autumn Foliage Viewing Journey’, which will go on sale from Friday, 12 September 2025.

Countrywide

Event

Eighty Years After the War: A Reflection on the Preciousness of Ordinary Life YUKIKAZE – In Theaters Nationwide from August 15, 2025

“To Return Alive, To Bring Others Home Alive”

Opening nationwide on August 15, 2025—marking eighty years since the end of World War II—YUKIKAZE is a feature film based on the true story of the Imperial Japanese Navy (IJN) destroyer Yukikaze, a vessel that rescued countless lives amid the horrors of war. A press screening was held in advance at the Sony Pictures screening room.

The destroyer Yukikaze, which served throughout the Pacific War, was renowned for rescuing numerous sailors thrown into the sea during fierce naval battles, surviving to the end of the war virtually unscathed. It earned the legendary moniker “the lucky ship.” This film brings to life the ship’s heroic journey, alongside the lives of those who persevered through one of the most turbulent eras in modern history.

Leading the cast is Yutaka Takenouchi as Captain Kazutoshi Terasawa—a fictional amalgamation inspired by the real-life captains of Yukikaze. Hiroshi Tamaki portrays Petty Officer First Class Kohei Hayase. Supporting roles are delivered by an ensemble of acclaimed actors including Daiken Okudaira, Rena Tanaka, Kanji Ishimaru, and Toru Masuoka. Kiichi Nakai delivers a commanding performance as Vice Admiral Seiichi Itō, the Second Fleet Commander of the IJN who met his fate aboard the battleship Yamato.

In today’s world, once again shaken by division and violence, YUKIKAZE poses an urgent question to those of us living in the peace that others fought to protect: Are we once again treading the path of past mistakes? As collective memory of the war fades, this film becomes ever more vital—a call to reflect on the true value of peace.

Fukuoka

Event

Restaurant

Takamiya Garden Saryo, Minami-ku, Fukuoka City, 18 Jul (Fri) – 11 Aug (Mon, national holiday) Summer event to feel cooler ‘Summer Lights – NATSU NO HI’ Reservations now being accepted.

The Takamiya Teien Saryo will hold its popular seasonal event “Summer Lights” from 18 July (Fri) to 11 August (Mon) 2025.A special dinner course, prepared exclusively for Summer Lights, featuring an abundance of seasonal fish and summer vegetables to bring out the coolness of summer. The meal finishes with shaved ice with matcha green tea, a summery treat. Please enjoy the dishes that gently add coolness to your summer evening in a relaxed atmosphere.

Hiroshima

Art

Simose Art Museum: “Ambient, Environment, Circumstances – The Topography of Contemporary Art”Interview Part II: Ryosuke Yoshimura, Kisei Takahashi, Mario Cristiani, and Stefano Pesce

Opened in 2023 in Otake City, Hiroshima Prefecture, the Simose Art Museum sits on the shores of the Seto Inland Sea, facing the sacred island of Itsukushima. Designed by globally acclaimed architect Shigeru Ban, the museum rose to international prominence when it was awarded the Versailles Prize in December 2024 as the ‘World’s Most Beautiful Museum,’ drawing significant global attention.

To commemorate this achievement, the museum launched its first-ever contemporary art exhibition, Ambient, Environment, Circumstances – The Topography of Contemporary Art, which runs from April 26 to July 21, 2025. Within just ten days of opening, the exhibition surpassed 10,000 visitors—a record-breaking turnout for the museum.

Featuring works by emerging artists born between 1980 and 2000, primarily from across Asia, this special exhibition marks a bold new chapter for the museum as it ventures into contemporary territory.

Following our previous interview, HYAKKEI continues its coverage with insights from Ryosuke Yoshimura, Representative Director of Simose Art Museum; Kisei Takahashi, Board Director of the museum; Mario Cristiani, co-founder of Italy’s leading gallery Galleria Continua; and Stefano Pesce, Advisor of the Mark Tobey Committee CMT.

Hiroshima

Art

Simose Art Museum: “Ambient, Environment, Circumstances – The Topography of Contemporary Art”Interview Part I: Chief Curator Keita Saito

Opened in 2023 in Otake City, Hiroshima Prefecture, the Simose Art Museum sits on the shores of the Seto Inland Sea, facing the sacred island of Itsukushima. Designed by globally acclaimed architect Shigeru Ban, the museum rose to international prominence when it was awarded the Versailles Prize in December 2024 as the ‘World’s Most Beautiful Museum,’ drawing significant global attention.

To commemorate this achievement, the museum launched its first-ever contemporary art exhibition, Ambient, Environment, Circumstances – The Topography of Contemporary Art, which runs from April 26 to July 21, 2025. Within just ten days of opening, the exhibition surpassed 10,000 visitors—a record-breaking turnout for the museum.

Featuring works by emerging artists born between 1980 and 2000, primarily from across Asia, this special exhibition marks a bold new chapter for the museum as it ventures into contemporary territory.

HYAKKEI visited the exhibition shortly after its opening and sat down with Chief Curator and artist Keita Saito for an in-depth interview. “I wanted this project to challenge the current condition of the Japanese art world,” Saito noted.

Pick Up

Pick Up