Saitama

Event

Travel

[Kinjita Manjushage Park] Manjushage, a flower that heralds the arrival of autumn

In Japan, there is an old saying that “hot and cold last until the equinoctial equinox,” meaning that the heat of summer eases off by around the autumnal equinox (About September 20).
The higanbana, which blooms with bright red flowers on the equinoxes of September, is also known as manjushage. In Sanskrit, it means “flower blooming in the heavenly realm,” and is derived from a Buddhist scripture that says red flowers fall from the heavens as a sign of good fortune.

Although the hot season continued for a long time, we were able to see the flowers bloom again this year. Here is a report on “Kinchida Manjushage Park,” which is said to be the largest of its kind in Japan.

Five million trees grow in clusters on an area of approximately 22 hectares.

The land created by the meandering of the Koraigawa River is called “Kinchada (Kinchada)” because it looks like a kinchada when viewed from above.
Hiking trails have been established in the neighboring mountains, making the area a popular excursion and hiking spot for elementary school students.

The sight of manjushage flowers blooming on the flat land surrounded by a 500-meter-long river is breathtaking.

Gallery

Kinchida Manjushage Festival

The event is held in conjunction with the blooming of the manjushage. There will be environmentally friendly lighting, sales of Hidaka City specialties, and a resting area.

Also, during the event, a special Seibu Railway train runs from Hanno Station to Korai Station.

Outline of the 2023 Kinchida Manjushage Festival

Date and Time: September 16 (Sat) – October 6 (Fri)
*The festival period has been extended due to the late blooming of manjushage.
Venue: Inside Kinchida Manjushage Park
125-2, Kora Hongo, Hidaka City, Saitama Prefecture

>Kinchida Manjushage Festival special page

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“To Return Alive, To Bring Others Home Alive”

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Leading the cast is Yutaka Takenouchi as Captain Kazutoshi Terasawa—a fictional amalgamation inspired by the real-life captains of Yukikaze. Hiroshi Tamaki portrays Petty Officer First Class Kohei Hayase. Supporting roles are delivered by an ensemble of acclaimed actors including Daiken Okudaira, Rena Tanaka, Kanji Ishimaru, and Toru Masuoka. Kiichi Nakai delivers a commanding performance as Vice Admiral Seiichi Itō, the Second Fleet Commander of the IJN who met his fate aboard the battleship Yamato.

In today’s world, once again shaken by division and violence, YUKIKAZE poses an urgent question to those of us living in the peace that others fought to protect: Are we once again treading the path of past mistakes? As collective memory of the war fades, this film becomes ever more vital—a call to reflect on the true value of peace.

Fukuoka

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Restaurant

Takamiya Garden Saryo, Minami-ku, Fukuoka City, 18 Jul (Fri) – 11 Aug (Mon, national holiday) Summer event to feel cooler ‘Summer Lights – NATSU NO HI’ Reservations now being accepted.

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Hiroshima

Art

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Hiroshima

Art

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Opened in 2023 in Otake City, Hiroshima Prefecture, the Simose Art Museum sits on the shores of the Seto Inland Sea, facing the sacred island of Itsukushima. Designed by globally acclaimed architect Shigeru Ban, the museum rose to international prominence when it was awarded the Versailles Prize in December 2024 as the ‘World’s Most Beautiful Museum,’ drawing significant global attention.

To commemorate this achievement, the museum launched its first-ever contemporary art exhibition, Ambient, Environment, Circumstances – The Topography of Contemporary Art, which runs from April 26 to July 21, 2025. Within just ten days of opening, the exhibition surpassed 10,000 visitors—a record-breaking turnout for the museum.

Featuring works by emerging artists born between 1980 and 2000, primarily from across Asia, this special exhibition marks a bold new chapter for the museum as it ventures into contemporary territory.

HYAKKEI visited the exhibition shortly after its opening and sat down with Chief Curator and artist Keita Saito for an in-depth interview. “I wanted this project to challenge the current condition of the Japanese art world,” Saito noted.

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